SUNHAT / RA’ONG ☀️ Our ancestors referred to the sky as the big sunhat dome, and all earthly creation lay under it ☁️ In the late 1960s My aunty Sina’ Rang wrote the words for this sunhat “Selamat Pakai From Kelabit Girl” (happy wearing, from a Kelabit girl”). Her sister, my aunty Lasong, did the threading of the beads. The beads were a gift from Tony Masonbee who was group headmaster of Baram schools. Sina’ Rang was a student at the school whilst her sister was a cook. The pattern, made of abstract designs and words is typical of basketry patterns of the era of 1960s. They were keen to weave and bead messages that reflected their newly found literacy skills in English and Bahasa ☁️ all that info was passed to me by my mum who is a researcher & also through my cousins kakak Tracy and Bann (Sina’ Rang’s daughters). The hat is now a collection of the British Museum. Kinda lovely how it’s come a full circle and I’m so happy to have it on the cover of my latest album, Sky Songs. Available for pre-order before 26 March via www.tandangstore.com .
Image copyright The Trustees of the British Museum.
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同時也有3部Youtube影片,追蹤數超過75萬的網紅志祺七七 X 圖文不符,也在其Youtube影片中提到,✔︎ 成為七七會員(幫助我們繼續日更,並享有會員專屬福利):https://bit.ly/3eYdLKp ✔︎ 訂閱志祺七七頻道: http://bit.ly/shasha77_subscribe ✔︎ 追蹤志祺IG :https://www.instagram.com/shasha77.daily...
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- 關於british museum collection 在 The British Museum - YouTube 的評價
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british museum collection 在 IELTS Fighter - Chiến binh IELTS Facebook 的最讚貼文
- Luyện đọc đầu ngày: ALEXANDER HENDERSON (1831-1913)
Born in Scotland, Henderson emigrated to Canada in 1855 and became a well-known landscape photographer.
Alexander Henderson was born in Scotland in 1831 and was the son of a successful merchant. His grandfather, also called Alexander, had founded the family business, and later became the first chairman of the National Bank of Scotland. The family had extensive landholdings in Scotland. Besides its residence in Edinburgh, it owned Press Estate, 650 acres of farmland about 35 miles southeast of the city. The family often stayed at Press Castle, the large mansion on the northern edge of the property, and Alexander spent much of his childhood in the area, playing on the beach near Eyemouth or fishing in the streams nearby.
Even after he went to school at Murcheston Academy on the outskirts of Edinburgh, Henderson returned to Press at weekends. In 1849 he began a three-year apprenticeship to become an accountant. Although he never liked the prospect of a business career, he stayed with it to please his family. In October 1855, however, he emigrated to Canada with his wife Agnes Elder Robertson and they settled in Montreal.
Henderson learned photography in Montreal around the year 1857 and quickly took it up as a serious amateur. He became a personal friend and colleague of the Scottish-Canadian photographer William Notman. The two men made a photographic excursion to Niagara Falls in 1860 and they cooperated on experiments with magnesium flares as a source of artificial light in 1865. They belonged to the same societies and were among the founding members of the Art Association of Montreal. Henderson acted as chairman of the association's first meeting, which was held in Notman's studio on 11 January 1860.
In spite of their friendship, their styles of photography were quite different. While Notman's landscapes were noted for their bold realism, Henderson for the first 20 years of his career produced romantic images, showing the strong influence of the British landscape tradition. His artistic and technical progress was rapid and in 1865 he published his first major collection of landscape photographs. The publication had limited circulation (only seven copies have ever been found), and was called Canadian Views and Studies. The contents of each copy vary significantly and have proved a useful source for evaluating Henderson's early work.
In 1866, he gave up his business to open a photographic studio, advertising himself as a portrait and landscape photographer. From about 1870 he dropped portraiture to specialize in landscape photography and other views. His numerous photographs of city life revealed in street scenes, houses, and markets are alive with human activity, and although his favourite subject was landscape he usually composed his scenes around such human pursuits as farming the land, cutting ice on a river, or sailing down a woodland stream. There was sufficient demand for these types of scenes and others he took depicting the lumber trade, steamboats and waterfalls to enable him to make a living. There was little competing hobby or amateur photography before the late 1880s because of the time-consuming techniques involved and the weight of the equipment. People wanted to buy photographs as souvenirs of a trip or as gifts, and catering to this market, Henderson had stock photographs on display at his studio for mounting, framing, or inclusion in albums.
Henderson frequently exhibited his photographs in Montreal and abroad, in London, Edinburgh, Dublin, Paris, New York, and Philadelphia. He met with greater success in 1877 and 1878 in New York when he won first prizes in the exhibition held by E and HT Anthony and Company for landscapes using the Lambertype process. In 1878 his work won second prize at the world exhibition in Paris.
In the 1870s and 1880s Henderson travelled widely throughout Quebec and Ontario, in Canada, documenting the major cities of the two provinces and many of the villages in Quebec. He was especially fond of the wilderness and often travelled by canoe on the Blanche, du Lievre, and other noted eastern rivers. He went on several occasions to the Maritimes and in 1872 he sailed by yacht along the lower north shore of the St Lawrence River. That same year, while in the lower St Lawrence River region, he took some photographs of the construction of the Intercolonial Railway. This undertaking led in 1875 to a commission from the railway to record the principal structures along the almost-completed line connecting Montreal to Halifax. Commissions from other railways followed. In 1876 he photographed bridges on the Quebec, Montreal, Ottawa and Occidental Railway between Montreal and Ottawa. In 1885 he went west along the Canadian Pacific Railway (CPR) as far as Rogers Pass in British Columbia, where he took photographs of the mountains and the progress of construction.
In 1892 Henderson accepted a full-time position with the CPR as manager of a photographic department which he was to set up and administer. His duties included spending four months in the field each year. That summer he made his second trip west, photographing extensively along the railway line as far as Victoria. He continued in this post until 1897, when he retired completely from photography.
When Henderson died in 1913, his huge collection of glass negatives was stored in the basement of his house. Today collections of his work are held at the National Archives of Canada, Ottawa, and the McCord Museum of Canadian History, Montreal.
Extensive (adj): rộng
Outskirts (n): ngoại ô
Apprenticeship (n): thời gian học nghề
Excursion (n): chuyến du ngoạn
Artificial (adj): nhân tạo
Influence (n) /ˈɪnfluəns/ : sự ảnh hưởng
Artistic (adj) /ɑːˈtɪstɪk/ : đẹp
Rapid (adj) /ˈræpɪd/ : nhanh chóng
Significantly (adv) /sɪɡˈnɪfɪkəntli/ : đáng kể
Specialize in (v) /ˈspeʃəlaɪz//ɪn/ : chuyên
Numerous (adj)/ˈnjuːmərəs/ : nhiều
Sufficient (adj) /səˈfɪʃnt/ : đủ
Demand (n)/dɪˈmɑːnd/ : nhu cầu
Exhibition (n) /ˌeksɪˈbɪʃn/: triển lãm
Wilderness (n) /ˈwɪldənəs/ : vùng hoang vu
Commission (n) /kəˈmɪʃn/ : nhiệm vụ
Administer (v) /ədˈmɪnɪstə(r)/: điều hành
Huge (adj) /hjuːdʒ/ : to lớn
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british museum collection 在 Engadget Facebook 的最讚貼文
British Museum makes over half of its collection viewable online
british museum collection 在 志祺七七 X 圖文不符 Youtube 的最讚貼文
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#大英博物館 #羅賽塔石碑 #文物返還
各節重點:
00:00 開頭
01:31 神秘的羅賽塔石碑
02:29 為什麼埃及文物會在英國
03:37 埃及:你給我還來喔!
06:01 支持文物返還的論點
07:27 反對文物返還的論點
08:54大英博物館不還的真正理由
10:43 對大英博物館的負面影響
11:37 我們的觀點
【 製作團隊 】
|企劃:艾拉諾
|腳本:艾拉諾
|編輯:土龍
|剪輯後製:鎮宇
|剪輯助理:歆雅、范范
|演出:志祺
——
01:45 照片引自:https://commons.wikimedia.org/wiki/File:Tourist_watching_Rosetta_Stone_at_British_Museum.JPG
【 本集參考資料 】
→ 英國「不舒服藝術導覽」:揭開帝國黑暗面的博物館挑戰:https://bit.ly/2AlcEWI
→ 「文物歸還」的潘朵拉之盒是否已開啟?談法國歸還26件非洲文物始末:https://bit.ly/2VsSf9d
→ 希臘政府與大英博物館之爭──帕德嫩神廟石雕何時才回的了家?:https://bit.ly/2ZpRiQr
→ The nuances of repatriation: Should the British Museum return its Egyptian collection?:https://bit.ly/3dI73qV
→ 董伊哲,2019,《想像古埃及: 1821-1854 年大英博物館與大眾文化中的古埃及展示》:https://bit.ly/2VymdbY
→ 楊翎,全球化與大英博物館, 博物館學季刊 18(4):https://bit.ly/31pvgQq
→ 柯秀雯,從衝突到合作: 淺談博物館的文物歸還問題:https://bit.ly/2Blugly
→ British Museum Department of Ancient Egypt and Sudan|維基百科:https://bit.ly/2VMJIhV
→ Recent restitution cases of cultural objects using the 1970 Convention:https://bit.ly/2YIMHcQ
→ Why museums are returning cultural treasures | Chip Colwell:https://bit.ly/3dMELvA
→ Repatriation (cultural heritage):https://bit.ly/2Be5F2j
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106台北市大安區羅斯福路二段111號8樓
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british museum collection 在 崔咪Tramy Youtube 的最佳解答
B2B第二家分店,BACK TO BRITISH MUSEUM SHOP開幕走秀PARTY.
(B2B MUSEUM SHOP OPENING PARTY X 2011 B2B A/W COLLECTION)
british museum collection 在 一二三渡辺 Youtube 的最佳貼文
コマーシャルビデオ完成^^見てね^^
友人がやってくれくれました^^
これは、すごいすごすぎる~~~
http://profile.ameba.jp/erosfurniture/
友人の温泉さんの新製品、
ライダーズアイDVカメラの音声トリガー使用中
マッハマスター登場^^
http://www.youtube.com/watch?v=zbCtn5atRIM
http://www.youtube.com/watch?v=Kn3yrD-EmXA
http://www.youtube.com/watch?v=g7Vxulp1TCM
http://www.youtube.com/watch?v=ilJamSfRt3U
http://www.youtube.com/watch?v=MnxaGNvYWZU
http://www.youtube.com/watch?v=TDNSWy8dDXQ
デジタルビデオカメラ ヘルメット内蔵超小型 ライダーズアイ
http://www.youtube.com/watch?v=m0dlHrNWKXU
またまた友人のお台場の潮風さんが、
私のコマーシャルビデオを作ってくれました^^
感謝です
見て笑ってください^^
マッハマスターのギャグ!!
http://www.youtube.com/watch?v=bJdwB7Se1cA
2010 1 3マッハ走り初め Photo Collection Movie
http://www.youtube.com/watch?v=cKYTXVzVYvg
2009 カフェレストランMACHⅢ Photo Collection
http://www.youtube.com/watch?v=w8TBn4Frjwc&feature=related
2009 10 31 MACHIII Master's Digest
http://www.youtube.com/watch?v=ZZCke4z5t6c&feature=related
2009 10 31 MACHIII KAWASAKI ZEPHYR1100 立ち去る
http://www.youtube.com/watch?v=pYXDml6lcAY&feature=related
MACH Ⅲ ツーリングビデオ
http://www.youtube.com/watch?v=a1vZYHq2BHU
またマッハソングが、
作詞できているんですが^^
作曲が~~~
マッハの唄(作詞青空一号(ゲソしゃぶ)
パート1
ロック風アニメ風
みたか聞いたか このバーガー
聞いてびっくりお肉はダチョウ
ジューシーなのにヘルシーだから
メタボ気になるあいつにも お肌気になるあの子にも
ズババババンとお勧めダチョウのハンバーガー
マッハマッハマッハマッハ
一度は食べなよマッハⅢのダチョウバーガー
みたか食べたか このカレー
なんと驚き色白カレー
白いくせしてガツンとスパイス
見た目はもちろんお味でも 見逃せられないこの旨さ
ズババババンと喉にきゅんきゅんハマる味
マッハマッハマッハマッハ
もいちど食べなよマッハⅢの白いカレー
堺から世界へ 堺から世界へ
世界征服野望を燃やし
バイク野郎も集う店 マッハⅢ
いつでも食べなよ
マッハⅢのダチョウバーガー
マッハⅢの白いカレー
パート2
バラード調ラブソング
君とはじめてバイクタンデム
胸キュンデートをした場所は
大阪、堺でうわさのお店 マッハⅢ
マッハで自慢のご当地バーガー
お肉はなんとダチョウのお肉
ジューシーなくせにヘルシーだから 忘れられない味になる
一口食べれば パラダイス
大好きな君に ズババババン
心はドキドキ ズババババン
初恋の味は ズババババン
一度は食べなよマッハⅢのダチョウバーガー
一度は食べなよマッハⅢのさかいバーガー
君と座ったその席は
一番奥の窓際の席
おちゃめなマスターいるお店 マッハⅢ
見た目はおどろき白いカレー
白いくせしてガツンとスパイス
堺名物その味は 一度食べたらくせになる
君と食べれば パラダイス
大好きな君に ズババババン
ハートはときめく ズババババン
大空に向けて ズババババン
一度は食べなよマッハⅢの白いカレー
一度は食べなよマッハⅢのホワイトカレー
堺から世界へ 堺から世界へ
君と僕の初恋風味は 広がってく
大好きな君に ズババババン
心はドキドキ ズババババン
初恋の味は ズババババン
一度は食べなよマッハⅢのダチョウバーガー
一度は食べなよマッハⅢの白いカレー
^^
作曲お待ちしております^^
british museum collection 在 Идеи на тему «British Museum's collection» (67) - Pinterest 的推薦與評價
29.10.2016 - Просмотрите доску «British Museum's collection» пользователя Наталья Чернобровая в Pinterest. Посмотрите больше идей на темы «египет, ... ... <看更多>
british museum collection 在 The British Museum - YouTube 的推薦與評價
Every one of the 8 million objects in the British Museum's Collection has a fascinating story waiting to be discovered. This is just a small sample of those ... ... <看更多>